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aljazeeraamerica:

Dizzy Gillespie for President: When politics was a groovier thing 

There are many reasons to remember Dizzy Gillespie. His look, for one thing: the horn-rimmed glasses, pouched-out frog cheeks, and that trumpet, bent up at a 45-degree angle. The ground floor inventor of bebop, he had an unforgettable sound, a mastery of harmonic invention and implied chords, firing off fusillades of rhythmic phrasing. Gillespie was smart. He was funny. He played with Charlie Parker and influenced Miles Davis. Fifty years ago, he also ran for president.
It started as a joke, as so many serious things do. His booking agency had some “Dizzy Gillespie for president” buttons made around 1960, because, you see, it’s funny. Somebody even asked Gillespie why a black jazzman — a permanent member of the underclass if there ever was one — would even think of trying for the job. “Because we need one,” he said. 

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aljazeeraamerica:

Dizzy Gillespie for President: When politics was a groovier thing 

There are many reasons to remember Dizzy Gillespie. His look, for one thing: the horn-rimmed glasses, pouched-out frog cheeks, and that trumpet, bent up at a 45-degree angle. The ground floor inventor of bebop, he had an unforgettable sound, a mastery of harmonic invention and implied chords, firing off fusillades of rhythmic phrasing. Gillespie was smart. He was funny. He played with Charlie Parker and influenced Miles Davis. Fifty years ago, he also ran for president.

It started as a joke, as so many serious things do. His booking agency had some “Dizzy Gillespie for president” buttons made around 1960, because, you see, it’s funny. Somebody even asked Gillespie why a black jazzman — a permanent member of the underclass if there ever was one — would even think of trying for the job. “Because we need one,” he said. 

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(via jazzrelatedstuff)

yagazieemezi:

Lost Wax Playing Cards

By 

Olutade Abidoye

Each set of Lost Wax Playing Cards contains 54 playing cards featuring illustrations of royal figures from the 15th – 19th century Benin Empire. The Benin Empire thrived in what is now southern Nigeria and left an impressive record of their civilization in the form of bronze plaques commissioned by the King (Oba) to adorn the courtyards of his palace. The playing cards pay homage to this prosperous period in Nigerian history and, in effect, bring this bygone era from the archives into modernity in a colorful and playful way.

"I expect Lost Wax Playing Cards to bring a new dynamism to Nigerian popular culture and consciousness. My aim is to rekindle this colorful, yet elusive history into Nigerian popular culture through these playing cards. Nigerians are influenced by their indigenous traditions but more increasingly by popular culture. Symbols of tradition—such as those that inspire these cards—are easily overshadowed by meanings, images and activities drawn from popular culture. Since popular culture is grounded in the mundane and the persistent routines of everyday life, then this history too becomes implicit and fixed. The old Africa that inspired these artifacts has now lost much of its luster. If Nigeria’s prosperous past becomes common sense through these cards, then perhaps the notion of a brighter future won’t be so far-fetched." - Olutade

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Dedicated to the Cultural Preservation of the African Aesthetic